Last week we introduced you guys to Lien Ta who shared with us some of her thoughts on what we should anticipate for the Oscar's Red Carpet. If you missed it, you can click here to see what she had to say! This week, she had some comments on what she saw. Regardless of what I may agree or disagree on in terms of the looks that made their appearance, I love hearing the opinions and being introduced to new designers or maybe getting an idea of what you think you could do at a later time or how your can modify it for yourself! Along with the gallery of images that I have included to go along with Lien's comments, I have included my own as I would love to weigh in as well. I love it so without any more delay, enjoy Lien Ta's comments in their entirety!

We saw a lot of white and beige, a lot of big, bold jewelry, a couple of curious belts, plenty of offensive mermaid tails and bows and a couple of one-shoulder straps that should’ve worked but didn’t.

In spite of the burst of color we’ve seen this awards season, there’s something about the Oscars that always urges the actresses to wear clean, glamorous white, metals and variants thereof – which, let’s be honest, is way better than a sea of black gowns (that’s what usually happens).

Penelope Cruz looked more than ready to accept her first Oscar in a big, rose-beige 60-year-old ball gown. Of everyone, she looked the most classic, soft and elegant. The others went ultra-modern: Marisa Tomei had the most unbelievable pleating on her Versace train; Heidi Klum’s gown was like giant red origami, and Anne Hathaway, Jennifer Aniston, Tina Fey and every other woman that wore sequins looked incredibly crisp, chic and youthful.

Some actresses, however, overdid it. Jessica Biel’s big, floundering bow seemingly gave her a third boob. Miley Cyrus’ Cinderella ballgown looked like a grade-schooler’s first encounter with glitter, forced to make something resembling a turkey (Happy Thanksgiving!). Despite loving Marisa Tomei’s train, her one-shoulder strap was shaped way too awkwardly – just like Kate Winslet’s split-personality dress. Reese Witherspoon had a similar disorder, but hers was multiple personalities – what were those black pigtails draped over her dress? Lastly, mermaid tails? When are they ever flattering? Repeat offender Beyonce Knowles doesn’t understand this, nor did Vanessa Hudgens and Melissa George.

Taraji P. Henson’s necklace was my favorite “big jewelry” of the night. The belts on Sarah Jessica Parker and Marion Cotillard’s Dior gowns were OK; I will admit that Marion’s gown was the only one that made me smile. She had peekaboo legs!

What have we learned? Everybody looks beautiful in white, cream, silver, et al. White T-shirts, come out and play! Plus, big colored baubles and fun belts will help bring an everyday look to the next level.

For more, go to: Hollywood.com!

One of the things that I loved most about Sex and the City is that it had fabulous outfits that dazzled you. From the simplistic looks to those that were for a massive night out, there was always something that you wanted to keep in your closet. Yes, Sex and the City was an end of and era of amazing fashions (I suppose people thought the same thing with Dynasty and other shows such as that). Fortunately, I have picked up such shows as Lipstick Jungle to enjoy the super cute looks but I do believe that I have acquired another find - USA Network's the Starter Wife whose 2 hour premier wil launch tonight!

Debra Messing stars in The Starter Wife; however, much like Patricia Field was a dynamic element to the show, Agata Maskiewics is the same for this show! I can't wait to see all the looks (some which are including within the gallery of this post) and make sure to tune into USA at 9pm EST for the 2 hour premier and to see whether you loved seeing Carrie's east coast looks or those that Molly (Debra's character) will wear as a lady of Hollywood. Below is a snippet of the interview with Agata Maskiewics, costume designer for this series. Eye 4 Style had the amazing opportunity to do an exclusive interview with her and we have a portion of this, if you want to know about the entire interview, visit Eye 4 Style which has amazing finds about various styles and previews that you'll want to know more about.

Being a costume designer must be a fun job! How did you get your start?

I started working in the film & TV industry after graduating from the Fashion Institute of Design and Merchandising where I studied fashion design. I started as an intern on a feature film and worked my way up holding various positions in the costume department.

How is styling a celebrity different from styling a character in film or television?

While I don’t particularly style celebrities, I feel that the main difference is that when designing a character the job is to transform an actor into the character they are portraying. Often times the costumes can really help an actor make the transition into the character they are set to play. Also, sometimes the costumes are not meant to be flattering; depending on the character, the goal isn’t always to make them look beautiful. But when styling a celebrity, it’s all about having them look amazing.

What role does fashion play in The Starter Wife?

Fashion is almost like another character in The Starter Wife. So much of the personality of the actors comes through in the clothing they wear. Our goal is to have the audience as excited about the fashions as they are the characters. We want the people at home to feel as though they can hear the ruffle of Molly’s Zac Posen silk dress and smell the exquisite leather of her Manolos. We want them to daydream about getting into Molly’s closet and have the opportunity to dress from it everyday as she does. And yes, the closet is huge, since as a Hollywood woman, she never repeats an outfit!